This collection of photographic prints forms part of the papers of Desmond FitzGerald (P80). The majority of theses photographs arise out of the Civil War but other smaller series relate to the aftermath of the Easter Rising and to the War of Independence. There are also other series of army portraits and of historical occasions photographs.
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This presentation looks at the relationship between England and the British discipline of English Literature, whose origin, it argues, owes much to the state unification of Britain between 1790 and 1815, particularly informed by an anti-French-Revolutionary Burkean philosophy which was defined by opposition to a written constitution, and by opposition to the national. It suggests that English Literature is stuck in this Burkean-organic-deep-conservative moment in terms of its methodology and its idea of a canonicity – but that the gradual crumbling of British empire after 1919, from the late 1950s, and then during devolution, has re-created England as a place able to overwhelm the British-imperial ideal space which was created for it. The presentation looks forward finally to a more open-ended and action-oriented, and less managerial and imperial, national literature of England.
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Photograph by the Topical Press Agency, London, possibly of the funeral of Arthur Griffith passing along O'Connell Street from O'Connell Bridge; a horse drawn hearse is flanked by members of the Irish Free State Army and is followed by members of the clergy and by other horse drawn vehicles; a large number of people line the street.
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