This collection of photographic prints forms part of the papers of Desmond FitzGerald (P80). The majority of theses photographs arise out of the Civil War but other smaller series relate to the aftermath of the Easter Rising and to the War of Independence. There are also other series of army portraits and of historical occasions photographs.
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A number of civilians (and a tram driver?) looking at the remains of a burned out tram. The caption reads ‘Patrick Street, Cork, Monday morning after burning' (by Auxiliaries and Black and Tans on 11 December 1920?). Premises in background include James Mangan Ltd, Tivoli Restaurant and a tobacconist's shop. One little boy is smiling broadly at the camera.
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Photograph by W.D. Hogan of Irish Free State Army soldiers walking along a country road towards the photographer with guns at the ready; one is smiling happily; two young men in civilian dress are walking beside them and a third civilian, standing at the side of the road, might be applauding.
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Photograph by W.D. Hogan of the main street of a country town; a truck load of Irish Free State Army soldiers has just passed along it and some of the soldiers are waving their rifles and hats triumphantly at civilians standing on the pavement and at other soldiers lining either side of their passage; two other soldiers are crossing the road in haste.
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Possibly the creamery in Ballymacelligott, county Kerry. The roof has collapsed at one end and the interior has been gutted; a water tank is lying on the grass outside; a sign on the side of the building which is partially fire-damaged reads: ‘The Ballymacelligott Cooperative Agricultural…'.
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Façade of a burned out house at Kilmichael, county Cork. The interior has been gutted and the roof has collapsed. A hen is standing outside the house. Sheets of corrugated iron lie around the ground from what was originally the porch. The caption reads ‘House smashed by Aux[illiaries] after Kilmichael ambush (right on spot of ambush)'.
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Photograph of a large, jubilant group of Irish Free State Army soldiers and civilians running along what appears to be a side street between two buildings or the yard of an institution; all look very happy; many have upstretched arms and are waving hats and caps at the cameraman; there is an air of liberation; none of the soldiers carry weapons; some women and men in white aprons stand at the side and in the background looking on.
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Photograph by W.D. Hogan of the gutted interior of a building; the interior consists of a mass of twisted metal; through the breached walls a more imposing building, also damaged, is visible (possibly the mezzanine storage treasury of the Public Record Office although the window apertures are church-like).
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Photograph of a wide street on the outskirts of a country town; large numbers of Irish Free State Army soldiers appear to be preparing to board personnel carriers with a view to departing; some may have luggage; a number of civilians watch from the pavement; a church with a spire and a thatched house are visible in the background and in the foreground a commercial van with the name Ja[me]s Boyd Ltd.
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The photograph is probably by W.D. Hogan. One soldier is in the process of firing, the others stand at some distance mainly with their ears covered. (Similar photograph published in Michael Hopkinson's Green against Green (1988) with the following caption: ‘The opening shots of the Civil War, fired from Free State 18 pound field artillery supplied by the British Government. The gun was stationed at the junction of Bridge Street and Usher's Quay, just across the Liffey from the Four Courts'.
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Photograph by the Topical Press Agency, London, possibly of the funeral of Arthur Griffith passing along O'Connell Street from O'Connell Bridge; a horse drawn hearse is flanked by members of the Irish Free State Army and is followed by members of the clergy and by other horse drawn vehicles; a large number of people line the street.
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