Three datasets of images of approximately 1 square km of land area in Dublin City in 2007. Images were captured through use of the Fugro FLI-MAP family of LiDAR systems which capture LiDAR and still camera imagery simultaneously during a fly-over survey. Each dataset includes “forward” and “mapping” imagery comprising complementary data files in ECW and SDIA formats.

Aerial laser scanning (ALS) data collected over an area of around 1 square km in Dublin city in 2007 (see satellite image). A total of ~225 million points were acquired for a dense urban neighbourhood. ALS was carried out by contractors using FLI-MAP 2 system. The system operated at a scan angle of 60 degrees, with an angular spacing of 60/1000 degrees between pulses. The FLI-MAP 2 system also provides spectral data in two different forms: (i) intensity and (ii) colour. An intensity value is provided for each point while colour information is provided by cameras acquiring images during the flyover and is transferred to scan points. The flying altitude varied between ~380-480m, with an average value of ~400m. Total 44 flight strips were acquired and 2823 flight path points were recorded, providing instantaneous aircraft position over time.

Data recovered from the project "Historic Ireland's Build Environment and Road Network Inventory Access" (HIBERNIA), which had been a web enablement of two earlier inventories: the Dublin Environmental Inventory (DEI) and the Dublin Docklands area master plan inventory (DDAMP) (both undertaken by the School of Architecture, Landscape and Civil Engineering, University College Dublin). The combined inventories include historical, geographical, and architectural information collected from 1993 to 1995 for 1,280 of Dublin's buildings.

This collection documents sculptures that comprise part of the University College Dublin art collection. Many of these sculptures have featured in the UCD Sculpture Trail. The UCD Sculpture Trail comprises public works of art that are an integral part of the urban fabric of the university, enriching the sense of place and the physical beauty of the natural environment. Varying in style and material, the collection is representative of national and internationally renowned artists including John Burke, Jason Ellis, Thomas Glendon, James Hogan, Kevin O'Dwyer, Bob Quinn and Giorgio Zennaro.

The Workhouse Drawings collection contains a representative sample of drawings, plans, and documents drawn from the Irish Architectural Archive's Workhouse Collection. The Workhouse Collection (reference 85/138) in the Irish Architectural Archive includes surviving drawings for workhouses built in Ireland to provide relief for the poor. Built between 1839 and 1847, the workhouses were designed in a Tudor domestic idiom by architect George Wilkinson. Occasionally drawings are accompanied by other documents including the standard printed specification or, more rarely, items of correspondence. Many are in extremely poor condition and their extreme fragility precludes public access. This online collection provides access to drawings and documents relating to the Mallow, Castleblayney, Lismore, and Gorey workhouses. The drawings for Mallow Workhouse may be considered a representative set of the surviving drawings for the Tudor style workhouses built by Wilkinson. The majority of the drawings were produced mechanically (engraved and printed). The inclusion of drawings from Castleblayney, Lismore, and Gorey, in addition to those of Mallow, ensures that this online collection includes samples of each printed drawing.

This collection of documents relating to Douglas Hyde comprises of Hyde's memoir and a collection of postcards. Hyde's memoir is in four parts, composed at various periods in 1918-19, mostly when he was ill and confined to bed. It looks back on various aspects of his career in the Irish language movement. The first part of the memoir is 9 pages long and in it Hyde writes of the politicisation of the Gaelic League and his subsequent resignation as President. Part 2 has 44 pages and discusses the Irish Language movement and the resignation of 'Sceilg', the columnist J. J. O'Kelly, at the 'Freeman's Journal'. Part 3 is 21 pages long and in it Hyde discusses the politicisation of the Coiste Gnóha or Executive Committee, the nature of this committee, and the gradual weakening of his own position. Part 4 is 19 pages long and recalls Hyde's first encounter with Thomas O'Neill Russell in 1877, O'Neill Russell's bitter attack on Michael Logan, editor of the American newspaper 'An Gaodhal', on points of grammar, his argumentative personality and his general lack of a sense of proportion. A collection of illustrated postcards with some miscellaneous items, in two sections: 1) Douglas Hyde: Some 60 items, mainly of correspondence, mostly illustrated postcards, in a variety of languages, dated mainly 1895-1938. The majority of items were sent to Hyde by scholars, students, Irish language activists, colleagues and friends in Ireland, the UK, US and continental Europe. Also included are two illustrated postcards sent by Hyde to Mrs Ethel Chance, Birmingham, a family friend, from San Francisco in February 1906. 2) Liam de Róiste: Some 30 postcards, mainly dated 1911-12, relating to his work as Secretary of Coláiste na Mumhan, the Irish College in Béal Átha an Ghaorthaidh (Ballingeary), Co. Cork.

A collection of material related to the Easter Rising 1916 from the IBVM (Loreto) Institute & Irish Province Archives, including contemporaneous accounts of the Rising as observed by the Loreto Sisters at St Stephen’s Green Dublin and Loreto Abbey Rathfarnham. The material is collated from three separate Loreto archival collections: the community archives of Loreto Abbey Rathfarnham; Loreto College, 53 St Stephen’s Green; and M. Michael Corcoran IBVM, Superior General 1888 – 1918. The collection comprises of two manuscript community annals, a military permit, picture postcards from Loreto Abbey Rathfarnham and Loreto College, 53 St Stephen’s Green, and a typed letter from M. Michael Corcoran IBVM, Superior General 1888 – 1918.

A collection of postcards depicting images from World War I. The descriptive titles on the front of the postcards are in French and / or Irish while the text on the reverse of each postcard is in Irish.

Part of UCD Library's Curran Collection, most of these postcards were published in 1916 in the immediate aftermath of the Insurrection. They provide an excellent contemporary pictorial record of the damage to the city; one showing a “before and after” photograph of Sackville (O'Connell) Street. Some are reproductions of “under fire” photos taken by the Daily Sketch photographer and published by Easons. Other series were produced by Hely's and Coleman's publishers. The collection contains 37 distinct postcards (as well as duplicates) collected by Constantine Curran.

This collection of photographic prints forms part of the papers of Desmond FitzGerald (P80). The majority of theses photographs arise out of the Civil War but other smaller series relate to the aftermath of the Easter Rising and to the War of Independence. There are also other series of army portraits and of historical occasions photographs.

A collection of photographs from the albums of G. & T. Crampton, one of Dublin's best-known construction companies. The photographs were intended as a record of the building projects which the firm undertook rather than a formal archive. They cover a wide range of buildings including commercial buildings, shops, houses, hospitals, and factories. The projects covered by the collection include new builds, renovations, extensions, and restorations. While the firm has undertaken work throughout Ireland, the majority of the photographs are of projects in the Dublin area.

Information for 1,280 buildings in Dublin (Ireland) in various formats; also 1,074 associated orthorectified GIF and JPEG images in a single compressed file archive.

Selection of photographs from the National Folklore Collection which illustrates the work of the Irish Folklore Commission and its successors.

This collection contains files which describe the construction and evolution of Port Oriel Harbour, County Louth, from its earliest structure to its current form.

Minor Harbours of Ireland, an Irish Research Council-funded project by UCD School of Architecture, Planning and Environmental Policy, examines the evolution of maritime engineering in small harbours in Ireland from the seventeenth century to the present. This collection records the construction and evolution of a selection of these minor harbours and includes short historical descriptions, onsite LiDAR scans, photographic site surveys, and exhibition posters for each harbour.

This collection contains files which describe the construction and evolution of Bullock Harbour, County Dublin, from its earliest structure to its current form.

This collection contains files which describe the construction and evolution of Balbriggan Harbour, County Fingal, from its earliest structure to its current form.

This collection contains files which describe the construction and evolution of Fethard Harbour, County Wexford, from its earliest structure to its current form.

This collection contains files which describe the construction and evolution of Slade Harbour, County Wexford, from its earliest structure to its current form.

The Richmond Hospital Medical Illustrations is a collection of illustrations depicting medical conditions treated at the Richmond Hospital, Dublin. The illustrations mainly date from the 19th century, with a small number from the early 20th century, and many depict diseases that are now not commonly seen. The illustrations are accompanied by two catalogues listing the drawings. The artist is not identified for many of the illustrations but known artists include J. Connolly, J.H. Burnside, Miss B. O'Farrell, and Sydney A. Sewell. The cases depicted include those treated by surgeons associated with Richmond Hospital such as Robert Adams, Edward Hutton, Christopher Fleming, John Hamilton, and Robert William Smith. This collection will be of interest to medical educators and practitioners, public health specialists, historians of medicine, social historians and humanities scholars more generally.

This collection contains files which describe the construction and evolution of Boat Strand Harbour, County Waterford, from its earliest structure to its current form.

An album of photographs recording the construction of the Savoy Cinema, O'Connell Street, Dublin and its appearance on completion.

The M. Michael Corcoran’s Photograph Albums contain photographs taken by Mother Michael Corcoran IBVM (1846-1927), Superior General of the Loreto Sisters. M. Michael was a self-taught photographer who used her camera to capture religious sisters, ministries, pupils, employees and friends of Loreto communities in Ireland and across the world. In 1902, M. Michael became the first Superior General to undertake a visitation of the IBVM communities in India and Australia and her photographic collection consists mainly of images captured during this international visitation. The albums also include images of Loreto Abbey, Rathfarnham taken in 1905 and images of Loreto Convent, Balbriggan taken between 1906 and 1907. Her albums should be of interest to anyone interested in M. Michael Corcoran IBVM as an educator or as IBVM Superior General, researchers interested in early 20th century photography, local history, early 20th century convent or school life in Ireland, and in foreign provinces.

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Kilskeer (B.): vol. 0704, p. 246

German prisoners awaiting their evacuation at the Aisne front.

German cannons captured by the French troops.

Image of a public notice poster posted in Noyon, France by the German Command about two men imprisoned for not saluting German officers.

The slopes of the Lingekopf (Collet du Linge) in Alsace.

Children maintaining the tombs of soldiers in a village.

American troops and flag at "Les Invalides" in Paris, June 1917.

American soldiers walking through Paris, June 1917.

American soldiers arriving in France, June 1917.

Remains of a calvary at the edge of a road at the Oise front.