Nine Thom’s maps of the city and environs of Dublin from the collection of the School of Geography, Planning and Environmental Policy (GPEP). Printed by the Ordnance Survey for the Dublin publisher Alexander Thom from the six-inch map sheets 18 and 22, and dating from the late 19th century. The maps have been annotated with hand written dates made by Dr. Arnold Horner, formerly of GPEP, and based on information in J.H. Andrew’s article "Medium and message in early six-inch Irish Ordnance Maps: the case of Dublin city". These loose maps were originally published in Thom’s annual Almanac and Official Directory.

Photographic data regarding 444 builings in Dublin, Ireland, comprising primarily multi-layer images in Adobe PhotoShop (PSD) format. The majority of images consist of one or more photographic images that have been manpulated to create a single ortorectified image of a structure; a structure may be represented by more than one PSD file, such that 516 images in total are included in the dataset.

Story collected by a student at An Mhainistir, Cara Droma Ruisc school (Carrick-on-Shannon, Co. Leitrim) (no informant identified).

Story collected by Cornelius Doherty, a student at Naomh Colm Cille (Craigtown?) school (Magheradrumman, Co. Donegal) from informant Mrs Mc Gonagle.

Story collected by a student at Millín, Séipéal na Carraige school (Milleenduff, Co. Cork) (no informant identified).

Story collected by a student at Scoil na mBráthar, Dúrlas Éile school (Thurles, Co. Tipperary) from informant Mr Thomas English.

Story collected by James English, a student at Cnoc Crochaire school (Knockcroghery, Co. Roscommon) (no informant identified).

Story collected by a student at Baile Nua, Baile Mhic Cairbre school (Clonanav, Co. Waterford) from informant Thomas English.

Story collected by Brendan Moloney, a student at Ceapach Chuinn (B.) school (Cappoquin, Co. Waterford) from informant Jack English.

[Letter, probably from William Reeves, to an unidentified recipient, concerning extracts from Adamnan Book II.]

In this episode Nicholas Daly reads from the Introduction to his book Sensation and Modernity in the 1860's published by Cambridge University Press. This is a study of high and low culture in the years before the Reform Act of 1867, which vastly increased the number of voters in Victorian Britain. As many commentators worried about the political consequences of this 'Leap in the Dark', authors and artists began to re-evaluate their own role in a democratic society that was also becoming more urban and more anonymous. While some fantasized about ways of capturing and holding the attention of the masses, others preferred to make art and literature more exclusive, to shut out the crowd. One path led to 'Sensation'; the other to aestheticism, though there were also efforts to evade this opposition. This book examines the fiction, drama, fine art, and ephemeral forms of these years against the backdrop of Reform. Authors and artists studied include Wilkie Collins, Dion Boucicault, Charles Dickens, James McNeill Whistler, and the popular illustrator, Alfred Concanen.

The Irish Nurses' Journal, vol. 2, no. 2 (June 1937)

Story collected by a student at Culdaff school (Culdaff, Co. Donegal) from informant Mr Patrick Conner.

RRC 27/3 (2011)

The Irish Nurses' Magazine, vol. 22, no. 5 (May 1955)

Home Districts [By Willie Higgins, collected from Martin Higgins, Pollynoon, Williamstown, Co. Galway.]

Consists of an orthorectified image of the structure in Adobe PhotoShop (PSD) format. The orthorectified image has been derived from one or more photographic images that are included as layers in the original Adobe PhotoShop (PSD) file. The composite and all other image layers have been extracted and saved in TIFF image files, and JPEG files in various resolutions have been derived from the flattened image layer to facilitate inspection.

Consists of an orthorectified image of the structure in Adobe PhotoShop (PSD) format. The orthorectified image has been derived from one or more photographic images that are included as layers in the original Adobe PhotoShop (PSD) file. The composite and all other image layers have been extracted and saved in TIFF image files, and JPEG files in various resolutions have been derived from the flattened image layer to facilitate inspection.

Consists of an orthorectified image of the structure in Adobe PhotoShop (PSD) format. The orthorectified image has been derived from one or more photographic images that are included as layers in the original Adobe PhotoShop (PSD) file. The composite and all other image layers have been extracted and saved in TIFF image files, and JPEG files in various resolutions have been derived from the flattened image layer to facilitate inspection.

Consists of 2 orthorectified images of the structure. The orthorectified images have been derived from one or more photographic image that are included as layers in the original Adobe PhotoShop (PSD) file. The composite and other image layers have been extracted and saved in TIFF image files, as well as JPEG files in various resolutions to facilitate inspection.

Consists of an orthorectified image of the structure in Adobe PhotoShop (PSD) format. The orthorectified image has been derived from one or more photographic images that are included as layers in the original Adobe PhotoShop (PSD) file. The composite and all other image layers have been extracted and saved in TIFF image files, and JPEG files in various resolutions have been derived from the flattened image layer to facilitate inspection.

Consists of an orthorectified image of the structure in Adobe PhotoShop (PSD) format. The orthorectified image has been derived from one or more photographic images that are included as layers in the original Adobe PhotoShop (PSD) file. The composite and all other image layers have been extracted and saved in TIFF image files, and JPEG files in various resolutions have been derived from the flattened image layer to facilitate inspection.

Consists of an orthorectified image of the structure in Adobe PhotoShop (PSD) format. The orthorectified image has been derived from one or more photographic images that are included as layers in the original Adobe PhotoShop (PSD) file. The composite and all other image layers have been extracted and saved in TIFF image files, and JPEG files in various resolutions have been derived from the flattened image layer to facilitate inspection.

An account of the Irish Famine (1845-1852) in the area of Kenmare, County Kerry/ Collected by Seán Ó Súilleabháin (of the Irish Folklore Commission), Tuosist, Kenmare, Co. Kerry.