Type/Formats:
StillImage — Architectural photographs
Contributors:
UCD School of Art History and Cultural Policy — O'Rourke, Horace T. — Chambers, William, Sir, 1723-1796
Abstract:
Designed in 1763 by Sir William Chambers as a private residence for the 1st Earl of Charlemont. Forms the centrepiece of the north side of Parnell (formerly Rutland) Square. Remodelled as an art gallery in 1931-3 by City Architect Horace O'Rourke. [ … ]
Dates:
1729-1730 — 1729
Type/Formats:
StillImage — Architectural photographs
Contributors:
UCD School of Art History and Cultural Policy — Gardiner, Luke, d. 1755
Abstract:
The street was laid out by Luke Gardiner in 1729-30. It was named after the wife of Charles Paulet, 2nd Duke of Bolton, who was Lord Lieutenant in 1717-21. Regarded as the finest example of early Georgian streetscape in Dublin, it formed part of the extensive Gardiner Estate developed throughout the... [ … ]
Type/Formats:
StillImage — Architectural photographs
Contributor:
UCD School of Art History and Cultural Policy
Abstract:
Replica of early C18 Dutch Billy style house. Moved during early C20 road widening.
Dates:
1739-1743 — 1739
Type/Formats:
StillImage — Architectural photographs
Contributors:
UCD School of Art History and Cultural Policy — Clements, Nathaniel, 1705-1777
Abstract:
This was Nathaniel Clement's residence, built between 1739-43. Double-height stair hall.
Type/Formats:
StillImage — Architectural photographs
Contributor:
UCD School of Art History and Cultural Policy
Abstract:
The only surviving examples of this particular early C18 house type.
Dates:
1729-1730 — 1729
Type/Formats:
StillImage — Architectural photographs
Contributors:
UCD School of Art History and Cultural Policy — Gardiner, Luke, d. 1755
Abstract:
The street was laid out by Luke Gardiner in 1729-30. It was named after the wife of Charles Paulet, 2nd Duke of Bolton, who was Lord Lieutenant in 1717-21. Regarded as the finest example of early Georgian streetscape in Dublin, it formed part of the extensive Gardiner Estate developed throughout the... [ … ]